Webcomics are one of my big comics blindspots. For a host of reasons (most notably, that I already spend ~8 hrs at a computer each day), I’ve never kept up with webcomics regularly. I think I’ve read exactly one webcomic front to back … no wait, I clicked that link, and there are years’ worth of pages I haven’t seen. See? I am terrible at following webcomics.
Because this blog professes to be about ALL comics, I’ve recently considered starting a new, webcomics-focused feature. I figure this new feature might help me fill in the gaps of my webcomics knowledge and also encourage me to re-engage with comics I started reading but dropped over the years.
As I began my “research,” I clicked over to what I’ve been told is one of the current hottest webcomics platforms: Webtoon. After poking around a bit, I settled on reading Tower of God … and I was met with a very different kind of comic.
It’s my birthday later this month, so I’m giving all Matt Reads Comics readers a gift! (Yes, it is my birthday, and I am giving YOU a gift.)
My wife and I love Halloween, so we worked extra hard on the latest, #SPOOKY issue of our zine, Extra Crunchy Fun. It is full of stories, games, recipes, and pin-ups that will get you in the mood for this time of spooks and specters, and you can download it for free by clicking here or clicking the cover image below:
In the early 2010s, Image Comics launched a plethora of kick-ass, hype-generating monthly comics series, written by a murderers’ row of writers pulled from Marvel and DC. Those series, including but not limited to East of West, Lazarus, Sex Criminals, The Wicked + The Divine, and Bitch Planet, quickly became the books I was most excited to buy each month (or every six months, for those I bought in trades).
At the time of this writing, most of those early 2010s Image hits have either ended, gone on hiatus, or shifted to irregular release schedules. And while I love plenty of Image’s current output, as a whole, those series are not generating the same amount of hype or sales (maybe arguable, but I looked – compare Image’s market share from 2014 and 2019) as Image’s early 2010s line-up.
So where did that heat Image Comics had at the start of last decade go? Well, in the 2020s, there’s another indie publisher that’s pumping out hit after hit written by some of Marvel and DC’s current top writers – and that’s BOOM! Studios.
I have read too many stories to be shocked by most of them anymore. But the first volume of Sleepless subverted my expectations in such a way that I feel compelled to recommend it to you, dear reader, so that you also can spend ten minutes flipping back and forth between Sleepless‘s final pages, your jaw hanging agape at what has just occurred.
I will not spoil Sleepless Vol. 1’s ending in this review, because I think you should feel that ending’s power for yourself. But I will talk about how Sleepless builds to that ending in ways that both set it up and make it surprising, paying off the book’s main points of tension.