Recently, wonderful artist and sometimes Waiting on the Trade co-host Kathryn Prince (aka Red Phacelia) participated in a Project Art Cred experiment examining how different artists interpret the same comic script. Because I’m a process nerd, I asked Kat to walk y’all through her page creation process. I’ll let her take it from here.
The process of making a comic can take a long time, and that is largely due to the art, not the writing. This week I’m writing a guest post to give you an idea of what goes into illustrating a comic page. This particular comic page came about as a challenge to artists posted by Kieron Gillen in his weekly newsletter.
The premise of the challenge was that the meaning of a story changes dramatically based on how it is illustrated. Gillen wrote a single-page script, and over forty different artists submitted pages. (If you’d like to see all of them, check out this Twitter thread).
It is known that the recently-wrapped Giant Days is one of the funniest funnybooks around. But unless you’re a Trekkie, you might not have fully appreciated this beautiful setup and punchline from issue 38.
What is it about G. Willow Wilson and Christian Ward’s Invisible Kingdom that is so compelling? I believe it’s that Kingdom melds so many different explorations of modern society together so seamlessly, and that it uses its characters’ desires to do so.
In the last five to ten years, libraries have upped their graphic novel game considerably. When I was a kid, I was lucky to find one to two Batman books and a volume of Hellboy in my (small-town Wisconsin) library’s graphic novel section. Now, libraries are my primary source of print comics – and they carry not just “mainstream” titles, but indie books, manga, and shelves upon shelves of kids’ comics.
Near the end of 2019, I reached out to the Fresno County Public Library‘s collections staff in hopes of learning how my current local library system chooses its graphic novels. I also wanted to know what books Fresno County is reading, as well as the state of graphic novel purchasing and borrowing over the last few years.
Librarian Thomas Wood, who selects Fresno County’s graphic novels and suspects his job “might actually be the best of all possible jobs,” was kind enough to answer all my questions and more. Below, Thomas will tell you where the Fresno County Library staff looks when selecting graphic novels, what books are hot in Fresno County right now, and why he’s optimistic about the state of both kids and adult comics.