Because that question didn’t fit with the rest of the interview, I’m posting it as bonus content here! Read on to learn Ennis and McCrea’s original plans for what is most certainly one of Hitman‘s most memorable scenes, as well as Tomasi’s thoughts on what other ’90s DC series deserves a complete collection.
Recently, I got to spend a particularly lazy Saturday catching up on comics I’ve either missed or been meaning to re-read. Rather than talk about one of those books in particular, I figured it might be nice to cover them all quickly in one post – and also share a look at my weekend!
About half a year ago, I started a new job as a Content Strategist and Copywriter at a marketing firm – and I am LOVING it. Marketing writing trips my trigger for numerous reasons, but one of the biggest is that it utilizes what I’ve come to call my Comics Brain.
My Comics Brain is the part of me that thinks and writes in the language of comics – in the language of page layouts, speech bubbles, captions, and art direction. It’s the part of me that’s read so many essays, books, and tutorials about “How to Make Comics,” but hasn’t always had a way to apply those lessons.
Well, now I do. Marketing copy doesn’t live by itself; it’s mashed up with web and email layouts, Facebook ads, videos, and a whole host of other media. As such, I’ve been thinking with my Comics Brain a lot lately, because it helps me better collaborate with the rest of my team.
Below, I’ll make the case for how thinking like a comics writer helps me write better marketing copy. And if you read to the end, I’ll set you up with a couple books and other resources you can use to begin building your own Comics Brain.
Writer Vita Ayala (The Wilds, Magic: The Gathering – Chandra, Livewire) and up-and-coming artist Olympia Sweetman are banding together to tell new tales of everyone’s favorite warrior princess – in a new Xena series coming this April.