Excuse me as I indulge in a bit of self-promotion! The wonderful Kathryn Prince (a.k.a Red Phacelia) and I just put out a new zine, and if you like this blog, I think you’ll dig our zine, too. Especially if you are a fan of “Marvel’s” “Thanos” (an entirely new character who is obviously legally distinct from Marvel’s Thanos):
Want to learn why Thanos should have paid attention in biology class? Then click this link to purchase the first issue of Extra Crunchy Fun from Gumroad for just $1. You’ll not only get Kat’s three-page Thanos comic, but also a couple short prose stories, an excellent no-bake cookie recipe, a Star Wars-themed crossword, and more! Which is actually quite the bargain.
If you purchase the zine, definitely come back here afterward and leave a comment letting us know what you thought of it. We’re already planning our next issue, and we’d love to use your feedback to make it even crunchier.
Recently, wonderful artist and sometimes Waiting on the Trade co-host Kathryn Prince (aka Red Phacelia) participated in a Project Art Cred experiment examining how different artists interpret the same comic script. Because I’m a process nerd, I asked Kat to walk y’all through her page creation process. I’ll let her take it from here.
The process of making a comic can take a long time, and that is largely due to the art, not the writing. This week I’m writing a guest post to give you an idea of what goes into illustrating a comic page. This particular comic page came about as a challenge to artists posted by Kieron Gillen in his weekly newsletter.
The premise of the challenge was that the meaning of a story changes dramatically based on how it is illustrated. Gillen wrote a single-page script, and over forty different artists submitted pages. (If you’d like to see all of them, check out this Twitter thread).